You've heard every sound on this list hundreds of times. You just never asked who made them — or what they're quietly hiding.

One specific scream has appeared in more than 400 movies — first recorded in 1951 for a man being bitten by an alligator.

The 'Wilhelm scream,' most likely voiced by singer Sheb Wooley for Distant Drums, became sound designers' running inside joke after Star Wars revived it. The name comes from a minor character who takes an arrow in a 1953 western.

The THX 'Deep Note' — that crescendo before movies — is 30 synthesized voices deliberately wandering from chaos into one massive chord.

Programmer James A. Moorer generated it in 1983 for the Return of the Jedi premiere, and it's legally protected as a registered trademark. An actual sound, on file with the trademark office.

The Netflix 'ta-dum' is built partly from the sound of a wedding ring knocking on a cabinet.

Oscar-winning sound designer Lon Bender shaped the final version around that knock — and the runner-up candidate was, genuinely, a bleating goat. Hans Zimmer later composed an extended version for theaters.

A seashell doesn't play the ocean — it plays the room you're standing in.

The shell's cavity resonates the ambient noise around you into a soft oceanic whoosh; your blood flow has nothing to do with it. A cupped hand or an empty mug performs the same trick.

The four-note melody in your doorbell was written for a Cambridge church clock in 1793.

The Westminster Quarters began at Great St Mary's church in Cambridge — a young music student named William Crotch usually gets the credit — and went global once the clock at Big Ben's tower adopted them in 1859. Tradition hears an echo of a phrase from Handel's Messiah in the notes, though the link is debated; either way, it's now the most-played clock melody on Earth, ding-donging from doorbells everywhere.

Your phone's camera shutter sound is a recording of a mechanical shutter your phone doesn't have.

It's pure theater — except in Japan and South Korea, where phones sold locally won't let you mute it. That's the product of industry codes and regulator guidance aimed at deterring covert photography, not a single national law.

The three NBC chimes — the notes G, E, C — became the first purely sound-based trademark registered in the United States.

The USPTO accepted them in 1950. The legend that the notes stand for General Electric Company, long entangled with NBC's corporate family tree, is widely repeated and just as widely doubted.

The Windows 95 startup sound was composed by Brian Eno — on a Mac.

Eno wrote dozens of tiny candidate pieces against a brief demanding music that was inspiring, universal, optimistic, emotional — and about three seconds long. He later cheerfully admitted the whole thing was made on a Macintosh.

The Intel 'bong' was written by a member of an Austrian pop band — and by Intel's own estimate once played somewhere in the world every five minutes.

Composer Walter Werzowa, formerly of the band Edelweiss, built the three-second mnemonic in 1994 to echo the rhythm of 'Intel Inside.' Few jingles have ever had better cost-per-note economics.

Electric cars are legally required to make fake noise.

US and EU rules force EVs to emit sound at low speeds so pedestrians can hear them coming — and automakers turned compliance into branding, with BMW hiring Hans Zimmer to score its engines.

Every press on a phone keypad is two notes played at once.

Touch-tone dialing, born at Bell Labs in 1963, gives each key a unique chord of one row frequency plus one column frequency — hard for a stray voice to fake, easy for the exchange to read. You've been playing two-note chords your whole life.

For decades, most TV laughter came out of one padlocked machine — and some of the laughs were older than the shows.

Sound engineer Charley Douglass's 'laff box' was a jealously guarded family trade secret, its recorded chuckles reused so long that viewers were plausibly hearing audiences from decades past.

The classic Mac alert sound 'Sosumi' is a legal taunt.

After Apple's settlement with the Beatles' Apple Corps restricted musical sound names, engineer Jim Reekes renamed his beep 'Sosumi' — assuring the legal department it was Japanese, while it plainly reads 'so sue me.'

Best in show: the goat that came within one executive decision of introducing every Netflix binge on Earth.